SUSPENDS (2020)
sop sax, trb, vc, acc — 10’
FLUX (44 Chords for Harry Partch) (2020)
6 instr + electronic tones — 10’
ATLAS, 2012 : version b (2019)
vla, e gtr — 14’
audio
BERCER (2019)
vc — 11’
audio
CONE (2019)
smpl + sines [mono] — 12’
ANSTATT (2019)
cl, acc, vln, vc — 10’
score
JUST (chords, melodies) (2019)
pf (Sabat II well-temperament) — 13’
score |
audio
PER (2018–)
3.3.3.3/4.3.3.1/1.hp/str — 15’
Schwer Abschied nehmen (2018)
with Luise Rüster
vln, kybd, dnc, light — 45’
video (excerpts)
GRAM (2018)
alto rec, vla, kybd, vid — 15’
audio
ROUND (2018)
any odd number of musicians — 30’
score
BRANCH (Plainsound Trio) (2018)
3 instr — 8’
score |
audio
MASS (2017)
SATB, org — 8’
servicemaster (2016/2017)
with Kimberley Farris-Manning
film, obj — 55’
score |
video
MOTTE (2017)
fl (pic), alto sax (cbcl), bsn (cbsn), hn, bells, pf (13-limit JI), vln, vla — 40’
score |
audio
(BE)NEATH (2016)
pf (13-limit JI) — 10’
audio
THAT, WHICH (2016)
2.2.2.2/4.2.2.1/bells/str — 5’
score
ABOUT (2016)
3.2.3.3/4.3.3.1/3.hp.org/str — 17’
score |
audio
ALONG, AROUND (2014/2016)
8.vln/2.vla/2.vc/cb — 10’
score
AT LEAST (2016)
vln, pf (12-ET) — 10’
score
number five (2015)
3.2.2.2/4.2.3.1/timp.2/str — 11’
L’art de toucher… (2015)
pf (12-ET) — 6’
audio
ATLAS, 2012 : version a (2015)
alto sax, e gtr — 14’
score |
audio
for Margaret Lingas (2015)
10 v, harm — 6’
score |
audio
Tombeau de souvenirs (2014)
2.2.2.2/2.2.0.0/timp/str — 6’
Litanies (2014)
str 4 — 8’
Apparitions (2014)
fl, cl, vln, vc, pf (12-ET) — 10’
D’esquisses [fragment] (2014)
str 4 — 2’
score
number three (2014)
mand, vla, pf (any tuning) — (9’)
score |
audio
Intérieurs (2013)
vln, pf (12-ET) — 5’
score
Trois pièces d’après Kandinsky (2012)
2.2.2.2/4.3.3.1/timp.pf/str — 10’
Clandestine (2012)
pf (12-ET) — 7’